30.4.09

VA - I Love Disco Diamonds Collection Vol. 01

VA - I Love Disco Diamonds Collection Vol. 1
Release: 2001 | Label: Blanco y Negro | Number: MXCD 1105
Genre: Italo Disco | Mono/Stereo: 2 Channel
EAC Rip | Included: EAC Log + CUE + Flac + Full Covers
Size: 569 MB | RAR files | RS.com

Album Review:

Dharma's "Plastic Doll", Scotch' "Penguins Invasion", Duke Lake's "Do You", Martinelli's "Voice" Brando's "Rainy Day" Video's "Somebody" and more... are the songs which included on the first volume of I Love Disco Diamonds, released in 2001 by Spain's Blanco y Negro label. This is part of one of the most extensive Euro-dance (Italo Disco) series available. Since the series is so extensive, you can bet there's plenty of filler, and that's definitely the case here.

TrackListing:
01 - Dharma - Plastic Doll
02 - Scotch - Penguins Invasion (Vox)
03 - Duke Lake - Do You
04 - Martinelli - Voice (In The Night)
05 - Time - Shaker Shake
06 - Video - Somebody
07 - Wish Key - Orient Express
08 - Jock Hattle - Crazy Family
09 - Brando - Rainy Day
10 - Stefano Pulga - Take Me Higher
11 - Danny Keith - Keep On Music
12 - Joe Yellow - Take My Heart
Total Time: 01:18:23
usmn

17.4.09

Eric Carmen - The Best Of Eric Carmen

 
Eric Carmen - The Best Of Eric Carmen
EAC Rip | Included: EAC Log + CUE + Flac + Full Covers
Release: 1988 | Label: Arista | Number: 258 999
Genre: Pop/Rock | Mono/Stereo: 2 Channel
Size: 301 MB | RAR files | FileServe.com

16.4.09

Manfred Mann's Earth Band - Solar Fire

Manfred Mann's Earth Band - Solar Fire
Release: 1973/1998 | Label: Creator Music/Petbrook | Number: MANN 006
Genre: Prog. Rock | Mono/Stereo: 2 Channel
EAC Rip | Included: EAC Log + CUE + Wav + Full Covers
Size: 364 MB | RAR files | RS.com
Review by Ben Miler
Manfred Mann had fronted several bands, in the 1960s he fronted a pop-rock band (simply called Manfred Mann) whose best known hit was "Doo Wah Ditty". By 1969, Manfred Mann himself assembled a band called Chapter III, a brass-rock band no doubt inspired by the likes of Chicago or Blood, Sweat & Tears (without imitating either groups). After the two albums Chapter III released, that group disintegrated, then by 1971 comes the band people most associate Manfred Mann with: Manfred Mann's Earth Band.
By the time Solar Fire was released, the band already three albums under their belt (1972's Manfred Mann's Earth Band, 1972's Glorified Magnified, and 1973's Messin', known in the U.S. as Get Your Rocks Off). The lineup for Solar Fire was the same as all their previous albums: keyboardist Mann, guitarist/vocalist Mick Rogers, bassist Colin Pattenden, drummer Chris Slade.
Most people associate the Earth Band with their polished hit cover of Bruce Springsteen's "Blinded By The Light", which became an FM rock staple. But I really think the finest album they ever done was Solar Fire, this is the one album even people who aren't big Earth Band fans look to, and for good reason. The band was continuing to record for Polydor in the States, but in the UK, they switched from Vertigo to Bronze. This is by far the most progressive album ever did by the Earth Band, and certainly from Mann himself. There's a cosmic theme throughout the album, and was no doubt inspired by their take on Gustav Holst's The Planets from their 1973 single "Joybringer" (which also ended up on the American version of Solar Fire). First you get treated with the monster "Father of Day, Father of Night". You never could imagine a Bob Dylan song taking to such a grandiose prog epic, but these guys pulled it off with that song! I really love those majestic guitar, organ and synth passages, plus nice use of Mellotron (Manfred Mann himself was never credited to the instrument, but you certainly can notice it here, as well as several other Earth Band albums up to 1978's Watch). Mick Rogers certainly dishes out some great lead and heavy guitar riffs. "In the Beginning, Darkness" is a rather heavy rock song, I especially like the drum and spacy synth that's found in the middle part. "Pluto, the Dog" is an instrumental piece, showcasing Mann on his Moog synth, plus the sound of a dog barking. I often wondered how the Disney Company felt of a rock band using the name of one of their cartoon characters for one of their songs? Next is the wonderful title track. I always loved the use of organ and well as synth effects. Plus there's some female backup vocals that are not unlike Pink Floyd's The Dark Side of the Moon. "Saturn, Lord of the Ring, Mercury, the Winged Messenger" is an all-instrumental piece, dominated by guitar, but then there's a mellow, spacy piece in the middle with a Moog solo, before the band really gets rocking. But here's the problem with reviewing the rest of the album: I am reviewing the American LP version on Polydor, which features "Joybringer" and "Earth, the Circle, Part 1" ("Earth, the Circle, Part 2" is only on the British LP version on the Bronze label, and since I hadn't heard that one, I can't comment). Anyways, "Joybringer" was originally released as a single in the UK in mid 1973, and was based on a Gustav Holst composition. It became a hit there, and for some reason, Polydor in the States thought it would be better to replace "Earth, the Circle Part 2" with this song. That explains why some American LPs mention both "Earth, the Circle Part 1" and "Part 2" even if just "Part 1" was featured. Lastly is "Earth, the Circle, Part 1", which was composed and sung by Mann himself. It's a great catchy little piece with some quirky passages. I especially love this loud, but short synth solo in the middle part, not to mention the drumming from Chris Slade at the end part.
Solar Fire was one of those albums that held dear to me, because I was exposed to this album through my dad when I was a small kid at the end of the '70s/beginning of the '80s, so there's a lot of nostalgia for me attached to this album.
Fans and even non-fans of Manfred Mann's Earth Band regard Solar Fire as one of their crowning achievements. This album might not have that big hit like "Blinded by the Light", but it's full of great material that comes highly recommended!
Tracklisting:
01 - Father of Day, Father of Night
02 - In the Beginning, Darkness
03 - Pluto the Dog
04 - Solar Fire
05 - Saturn, Lord of the Ring - Mercury the Winged Messenger
06 - Earth, the Circle Part 2
07 - Earth, the Circle Part 1
08 - Joybringer
09 - Father of Day, Father of Night (edited Version)
Total Time: 00:43:38
More Info
- Manfred Mann: organ, piano, Minimoog synthesizer, Mellotron, vocals
- Mick Rogers: lead vocals, guitar
- Colin Pattenden: bass
- Chris Slade: drums
with:
- Doreen Chanter: backing vocals
- Irene Chanter: backing vocals
- Peter Miles: percussion
- Paul Rutherford: trombone
usmn

4.4.09

Mike Mareen - Lady Ecstasy (Maxi CD)

Mike Mareen - Lady Ecstasy (Maxi CD)
Release: 1988 | Label: ZYX/Night 'n Day Records | Number: 8-5985
Genre: Italo Disco | Mono/Stereo: 2 Channel
EAC Rip | Included: EAC Log + CUE + Flac (953 kbps) + Full Covers
Size: 140 MB | RAR files | RS.com

Biography:
Mike Mareen was born on November, 9th 1949 in Berlin (West Germany). First, he was a drummer, but later he was the singer of the group Cemetery Institution (non-disco) and performed in Hamburg´s legendary 'Star Club', where The Beatles used to play in their beginnings.
Then he became a sailor, went to New York and spent some years there. Back in Germany again, he released his biggest success hit "Love Spy" in 1986, followed by "Dancing In The Dark" and "Agent Of Liberty", a great disco track as well. In the same year Mike released his first album entitled: "Dance Control". After one year later in 1987 he released his second album called: "Let's Start Now". This album included his new super-hit: "Don't Talk To The Snake". Both albums were released by well-known Germany Label Zyx Records.
Apart of Mike Mareen, he also sang using pseudonyms like Amadeus Liszt with such smash hits like: "Win The Race" and "The Devil Win", but his successful career have been with the Mike Mareen releases.
Mike like many disco artists has wrote and produced tracks released by other artists. He produced hit like: "Birthday Girl" by ITALO-DISCO star Dj's Project. discogs.com
In 1984/85 Mike realized "Dance Control" publish 1985 a co-production with Chris Evans-Ironside called "Dancing In The Dark", which became a N° 1 hit in 27 countries around the world. Sold out show events, e.g. in Mexico City in front of an audience of 50.000 are a evidence for this.
.In 1986, "Love Spy" was his final breakthrough by which Mike Mareen established himself in the international music business as the "Italo-Disco-King".
Until that time no other artist from "old Germany" had managed to unite more than 3.000 fans at his place of arrival (Mexico). By this time all artists performing this musical style were compared to Mike Mareen.
He is one of the few European artists who has been present for weeks with various songs in the American Billboard Charts. International sucess also resulted from working as a producer with famous artists such as Roberto Blanco, ... DJ's Project, UK and Shipra.
In 1987 Mike succeeded in having another charthit with his single "Agent Of Liberty" which is a long runner in various radio trailers until now.
This success led to the release of the 12" LP "Let's Start Now" at the close of the year 1988, which became a standard at the dance clubs across Europe.
The beginning of 1988 saw the release of the single "Stand Up". Caused by the major success of Mike Mareen's dance music, a remix of all his classic hits was released in 1991, on request of numerous DJ's of well-known dance clubs.
Mike Mareen allowed himself a pause for inspiration, but in 2004 he's back now with his new album "Darkness and Light" - best remakes of his greatest hits and many brand new songs - produced with his friends Chris Evans-Ironside and Holly Post, the famous DJ-Producer-Crew "Da Freaks" and other. Official Website

Tracklisting:
01 Lady Ecstasy (5:37)
02 Heavy Water (6:50)
03 Let's Start Now (7:27)
Total Time: 00:19:55
usmn