25.12.09

Duran Duran - Greatest


Duran Duran - Greatest
Release: Nov 3, 1998 | Label: EMI | Number: 7243 4 96239 2 7
Genre: Rock / New Wave | Mono/Stereo: 2 Channel
EAC Rip | Included: EAC Log + AccurateRip Log + CUE + Flac + Covers
RAR 3% Rec. | 553 MB | RS.com

Album Notes:
Greatest was an update of the 1989 tenth anniversary compilation album, Decade: Greatest Hits. The new release included songs from their eponymous debut album through 1997's Medazzaland. The album includes all 14 songs featured in Decade: Greatest Hits, plus "New Moon on Monday" and four singles from the 90's, however both "Save a Prayer" and "Rio" are presented in their shorter US versions in order to fit on a single CD whereas they appeared in their full versions on the former compilation.
The album was released by EMI after parting ways with the band after the disastrous Medazzaland album release in 1997, and marked the first of many releases designed to capitalize on the band's extensive EMI-controlled back catalog.
To coincide with the release of the Greatest album in the United Kingdom, the song "Electric Barbarella" was released as a single. This track was originally released as a single in North America in 1997 to promote the Medazzaland album (which was never released in the UK).

As of 2009, the collection has sold over a million copies in the United States.
To date, a full collection of Duran Duran's singles on one album still hasn't been released.
The album release was followed in 1999 by the release of a videotape compilation of the band's groundbreaking music videos, also entitled Greatest. It was not released on DVD at the time, probably due to the band's disintegrating relationship with Capitol Records.

Biography:
Duran Duran are an English rock band from Birmingham, England. They were one of the most successful of the 1980s bands and a leading band in the MTV-driven "Second British Invasion" of the United States. Since the 1980s they have placed 14 in the Top 10 of the UK Singles Chart and 21 in the Billboard Hot 100 and have sold more than 100 million records. While the group were generally considered part of the New Romantic scene, along with bands such as Spandau Ballet, when they first emerged, they later shed this image. The band worked with fashion designers to build a sharp and elegant image that earned them the nickname "the prettiest boys in rock". The band's controversial videos-which included partial nudity and suggestions of sexuality- became popular in the early 1980s on the then-new music video channel, MTV. The band were among the first bands to have their videos shot by professional directors with 35 mm film movie cameras, which gave their videos a much more polished look. In 1984, the band were early innovators with video technology in their live stadium shows.

The band was created by Nick Rhodes, John Taylor and Stephen Duffy, with the later addition of Roger Taylor and, after numerous personnel changes, Andy Taylor, and Simon Le Bon (none of the Taylors are related.) The group has never disbanded, but the line-up has changed to include guitarist Warren Cuccurullo from 1989 to 2001, and drummer Sterling Campbell from 1989 to 1991. The reunion of the original five members in the early 2000s created a stir among the band's fans and music media. Andy Taylor left the band in summer 2006, and London guitarist Dom Brown has since been working with the band as a session player and touring member. A full time replacement guitarist for Andy Taylor so far has not been appointed.

Review by Gavin McNett
Once middle-American radio gods now occupying an uneasy position in the classic-rock arena (they're too pop to be "classic" in the ordinary sense, but too huge to ignore), it'd be a lie to say that the critics ever loved Survivor. But they had hooks, and while Dave Bickler was on vocals (as on "Eye of the Tiger"), they had hard rock appeal as well. The next big hit was "Can't Hold Back," but by then, the band had turned down the volume and drifted more towards the Toto side of things. This collection covers all of the band's most popular phases and includes all the key tracks. It also supersedes their previous greatest hits package. --Amazon.com

Review by Daniel J. Hamlow:

Among the vanguard of the Second British Invasion of the 80's was a group dubbed the Fab Five. These pretty boys got their name from Milo O'Shea's character in the Jane Fonda cult classic Barbarella. I refer of course to Duran Duran, who during their peak years comprised of Simon LeBon (vocals), Andy Taylor (guitar), John Taylor (bass), Roger Taylor (drums), and Nick Rhodes (piano), he of the heavy makeup. But the reason why Duran Duran stood over contemporaries like the Human League or Spandau Ballet was their MTV coverage and stylish videos and that certain edge they had in their mostly danceable pop tunes.

Their first UK hits were "Planet Earth" and "Girls On Film." The first had a lively and upbeat synth backbeat much like Spandau Ballet or Berlin and is a standout. The second, with rapid-fire camera snap effects, was the group's first UK Top Ten hit, and made notable by its racy Godley-and-Creme directed video. Its chorus, where the title is sung twice in a row, the second at a lower pitch to make an accompanying and memorable couplet. But they hit pay dirt when the superbly upbeat "Is There Something I Should Know" topped the UK charts-it later hit #4 in the US. "Please please tell me now..." Oh yes!


Rio, which featured silk-screen girl album artwork from Nagel, had the title track, with a cascade of keyboards and drums, before settling into a more leisurely chorus-"my name is Rio and she dances on the sand..." But love that sax solo in the middle of it all! Also from that album, the #3 "Hungry Like The Wolf" with a guitar riff that would later become hardened in the Power Station, featured catchy hooks in the chorus, great guitar from Andy Taylor, and a running pizzicato-like synth.


Despite their hit power, they only had two US #1s. The first was "The Reflex"-remember, "whyyyyyyyyy don't you use it? Tryyyyyy not to bruise it"? Definitely one of their best songs with Roger Taylor's power drumming. The other was the title hit to Roger Moore's last James Bond outing, A View To A Kill, alternately upbeat and moody song with an airy synth, whose video had shots of DD mixed with film scenes to make it look like they were also in the movie.


Songs like "Hungry Like The Wolf", with Andy Taylor's guitar riffs, and the tribal thumping drums and grinding guitar of their #2 hit "Wild Boys" seemed a prelude to the Power Station, the Robert Palmer-led side project which Andy and John Taylor joined during Duran Duran's hiatus. When Andy and Roger Taylor left, DD did the Genesis thing-"and then there were three." Simon, John, and Nick released Notorious, whose funk-laced title track reached #2. It was slightly different from their earlier oeuvre, but when the mid-paced "Skin Trade," with its horn arrangements accompanying the usual synths, only charted at #39, it was clear DD was losing its audience. A pity, as it's not that bad a song.


Their last big hits came from their 1993 Wedding Album, which yielded a brace of more maturer and mellower singles, the reflective "Ordinary World" with a nice guitar solo from ex-Missing Person's guitarist and new member Warren Cuccurullo and majestic synths and vocals, and the moody "Come Undone" with high-pitched female vocalist singing the refrain.

The songs are not in chronological order, not too big a complaint. It supersedes their previous compilation Decade, which didn't include the two Wedding Album singles and "Serious" from their ignored 1990 Liberty album. The grinding near-techno of "Electric Barbarella" from the John Taylor-less Medazzaland, seemed to show the band ironically coming full circle-remember where they got their name from? Despite coming this late in the game, a great single by all means. The fact that the original members got back together for Astronaut indicates that despite their brief splash from 1981 to 1984, they were one of the most important forces in the 80's music and fashion scene. Take a bow, guys.

Track Listing:
======================================
1. Is There Something I Should Know
2. The Reflex
3. A View To A Kill
4. Ordinary World
5. Save A Prayer
6. Rio
7. Hungry Like The Wolf
8. Girls On Film
9. Planet Earth
10. Union Of The Snake
11. New Moon On Monday
12. Wild Boys
13. Notorious
14. I Don't Want Your Love
15. All She Wants Is
16. Electric Barbarella
17. Serious
18. Skin Trade
19. Come Undone
Total Time: 01:18:22
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Mike Mareen - The Maxi-Singles Collection

Mike Mareen - The Maxi-Singles Collection
Release: 1984 / Mastered 2009 | Label: NIGHT'n'DAY Records / ESonCD
Number: 200901-2
| Genre: Italo Disco | Mono/Stereo: 2 Channel
EAC Rip | Included: EAC Log + AccurateRip Log + CUE + Flac + Full Covers
RAR 3% Rec. | 580 MB | RS.com
24BIT Mastering - Limited Edition

Profile:
Mike Mareen was born on November, 9th 1949 in Berlin (West Germany). First, he was a drummer, but later he was the singer of the group Cemetery Institution (non-disco) and performed in Hamburg/s legendary 'Star Club', where The Beatles used to play in their beginnings.
Then he became a sailor, went to New York and spent some years there. Back in Germany again, he released his biggest success hit "Love Spy" in 1986, followed by "Dancing In The Dark" and "Agent Of Liberty", a great disco track as well. In the same year Mike released his first album entitled: "Dance Control". After one year later in 1987 he released his second album called: "Let's Start Now". This album included his new super-hit: "Don't Talk To The Snake". Both albums were released by well-known Germany Label Zyx Records.
Apart of Mike Mareen, he also sang using pseudonyms like Amadeus Liszt with such smash hits like: "Win The Race" and "The Devil Win", but his successful career have been with the Mike Mareen releases.
Mike like many disco artists has wrote and produced tracks released by other artists. He produced hit like: "Birthday Girl" by ITALO-DISCO star Dj's Project.
In 1997 DJ Shah & Espirito by Label Zyx Records released new remix his song: "Dancing in the Dark".

Track Listing:
====================================
01. Agent Of Liberty (Nik Z. WC Remix)
02. Lady Ecstasy (Extended Version)
03. Love Spy (Night Mix)
04. Don't Talk To The Snake (Maxi Version)
05. Agent Of Liberty (Maxi Version)
06. Heavy Water (Maxi Version)
07. Dancing In The Dark (Bonus Remix)
08. Here I Am (Hammer Mix)
09. Double Trouble (Extended Version)
10. Double Dub
11. Agent Of Liberty (Instrumental)
12. Love Spy (Instrumental)
13. Right Into My Heart (Inner - Town Deep Houzz Mix)
Total Time: 01:02:48

Credits
Arranged By - Nick Stonne
Engineer [Sound] - Wolfgang Timpe
Keyboards - Chris Evans
Producer - Mike Mareen
Recorded By, Mixed By - Bobby To
Notes
Recorded and Mixed at Star-Studio by Bobby To
© 1984-1989 Night 'N' Day Records
2009 Original ESonCD - Digital Mastering from Vinyl!
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Survivor - Greatest Hits

Survivor - Greatest Hits
Release: June 22, 1993 | Label: Scotti Bros. | Number: Q2-00579
Genre: Rock | Mono/Stereo: 2 Channel
EAC Rip | Included: EAC Log + AccurateRip Log + CUE + Flac + Covers
RAR 3% Rec. | 338 MB | RS.com
Album Notes
This band had one decade of fame--the 1980s, and this collection proves that they certainly made their mark. Anyone who was around back then remembers the Rocky soundtrack songs "Eye Of The Tiger" and "Burning Heart"--their two biggest hits on the charts. It's also impossible to forget the trio of big hits off of the legendary album "Vital Signs"--"I Can't Hold Back", "High On You", and "The Search Is Over". These songs are all among the best hits from the best decade of music--and they are all on this CD. "Is This Love" and "American Heartbeat" are other noteworthy, awesome hits included on this collection.

Review by Gavin McNett
Once middle-American radio gods now occupying an uneasy position in the classic-rock arena (they're too pop to be "classic" in the ordinary sense, but too huge to ignore), it'd be a lie to say that the critics ever loved Survivor. But they had hooks, and while Dave Bickler was on vocals (as on "Eye of the Tiger"), they had hard rock appeal as well. The next big hit was "Can't Hold Back," but by then, the band had turned down the volume and drifted more towards the Toto side of things. This collection covers all of the band's most popular phases and includes all the key tracks. It also supersedes their previous greatest hits package. --Amazon.com

Biography
Survivor is an American AOR rock band formed in 1977, most famous for their track "Eye of the Tiger" which was the theme tune to the film Rocky III.
The core of the band was formed around the founder members, Jim Peterik and Frankie Sullivan, though only Sullivan remains with the band today.
Their first release was Survivor which failed to ignite the interest of the music buying public. Premonition, their follow-up, was rather more popular, resulting in the hit "Poor Man's Son". However, it was when Sylvester Stallone approached the band to ask them to write the theme tune to his next Rocky film, that they finally achieved commercial success. The band wrote "Eye of the Tiger" for Stallone, whereupon it lodged at the top of the charts in several countries. Such was the success of the single that it earned a Grammy Award and was nominated for an Academy Award. It was little surprise when the album, Eye of the Tiger, released in 1982, became an instant hit.
Buoyed with their success, the band released Caught In The Game in 1983, but it failed to perform as well as their previous album. It was their second Hollywood collaboration which propelled their next album to chart success. "The Moment Of Truth" was the theme tune to The Karate Kid and the album, Vital Signs profited from the success of the single.
After two further relatively unsuccessful albums, When Seconds Count (1986) and Too Hot To Sleep (1988), Survivor went on an indefinite hiatus. Various efforts were made to resurrect the band, with individual members using the name to tour, including in 1993, the release of a Greatest Hits album containing two new songs. After several false starts and solo releases, the first Survivor album to result from an official reformation was 2006's Reach.

Track Listing:
====================================
1. Eye Of The Tiger
2. You Know Who You Are
3. Burning Heart
4. The Search Is Over
5. High On You
6. Is This Love
7. I Can't Hold Back
8. Hungry Years
9. American Heartbeat
10. Poor Man's Son
11. The Moment Of Truth
12. Somewhere Here In America
Total Time: 00:50:41
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20.12.09

A Flock Of Seagulls - A Flock Of Seagulls

A Flock Of Seagulls - A Flock Of Seagulls
Release: April 1982 | Label: Jive Records | Number: JIVE 8.25100
Genre: New Wave | Mono/Stereo: 2 Channel

EAC Rip | Included: EAC Log + AccurateRip Log + Cue + Flac + Covers

Size: 257 MB | RAR files | RS.com


Biography:
A Flock of Seagulls (also known as Flock of Seagulls) are a British Grammy Award winning band originally formed by brothers Mike Score (keyboards, Vocals) and Ali Score (drums), with Frank Maudsley (bass) and Paul Reynolds (guitar). They became notable in the 1980s for their MTV video for the song "I Ran (So Far Away)".


A Flock of Seagulls was started by Mike Score and his brother Ali in 1979 in Liverpool. Mike, who was previously a hairdresser, played keyboards, guitar, and vocals, Ali played drums and their friend Frank Maudsley played bass. The band took their name from a line in the song "Toiler on the Sea" by The Stranglers, which appears on their album Black and White. The band added guitarist Willie Woo and Mark Edmondson joined briefly when Ali and Mike had a fall out with Ali re-joining when Mark took ill. They then began writing songs. Soon after Willie left allowing Paul Reynolds to join. They then started playing clubs, and soon enough, they got a contract.

Eventually, under the management of Tommy Crossan and Mick Rossi (Checkmount Limited), they began to release singles through Jive Records. The group released an EP and a couple of singles, 'Its Not Me Talking' and 'Telecommunication' on Bill Nelson's 'Cocteau' label; both tracks produced by Nelson. In 1982 the group's third single "I Ran (So Far Away)" became a worldwide hit, most notably reaching number 1 in Australia and the top 10 in the US. The parent album A Flock of Seagulls and another single "Space Age Love Song" were also successful. In late 1982 the band found major success in their home country with "Wishing (If I Had a Photograph of You)" (first single from their next album) which reached the top 10. As it turned out, 1982 would prove to be the peak year of their commercial and critical success.

1983 saw the release of three singles to back their second album Listen. Each was only a minor success in the UK and abroad. The album bore a heavily processed electronic sound that was a break from the Duran Duran guitar and bass driven sound of their debut. Faced with disappointment the group produced a third album in 1984 that leant closer to a guitar sound. "The More You Live, The More You Love" was The Story of a Young Heart's lead single. It was moderately successful, despite having production that recalled their breakout hit "I Ran". The album's other two singles - "Never Again (The Dancer)" and "Remember David" - didn't make any headway.

Faced with sliding sales and a loss of direction following the third album the group relocated to Philadelphia, Pennsylvania minus Paul Reynolds. Eventually in 1985 the group released a new album; Dream Come True. Despite having a new sound based around the Fairlight Synthesizer the album was critically panned and a commercial failure. The remaining members fell out and A Flock Of Seagulls in its original incarnation disbanded. In promotion of Dream Come True, two videos - "Who's That Girl" and "Heartbeat Like a Drum" - were filmed in quick succession. These two videos were the last time the three remaining members were together in a recording or performance capacity until 2004.

In November 2003, the original line-up (Mike and Ali Score, Paul Reynolds and Frank Maudsley) reunited for a one-off performance on the VH1 series, Bands Reunited. In September 2004, they reformed again and played a small number of live shows in the United States, but broke up immediately afterward.

Maudsley returned to Liverpool and is now the owner of a newsagent in the City Centre, while Mike and Ali Score stayed in Philadelphia. The brothers then had a falling out that resulted in Mike Score remaining as the sole original member of the band and Ali going to Boston, where he played in a hard rock band and then worked for a computer company in Cambridge.

A Flock of Seagulls is the eponymous debut album by the band of the same name.

Track listing:
==================================
01 - Modern Love Is Automatic
02 - Messages
03 - I Ran

04 - Space Age Love Song

05 - You Can Run

06 - Telecommunication

07 - Standing In The Doorway

08 - Don't Ask Me

09 - D. N. A.
10 - Tokyo

11 - Man Made

Total Time: 00:41:13

Personnel
* Mike Score - lead vocals, keyboards
* Paul Reynolds - lead guitar, backing vocals
* Frank Maudsley - bass guitar, backing vocals
* Ali Score - drums
Thanks to
franklee
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Madonna - Like A Virgin

Madonna - Like A Virgin
Release: November 12, 1984 / 21 May 2001 Remastered
Label: Warner Bros. | Number: 9362-47901-2 | Genre: Pop
EAC Rip | Included: EAC Log + AccurateRip Log + CUE + Flac + Full Covers
Mono/Stereo: 2 Channel | RAR 3% Rec. | 382 MB | RS.com

Song Notes
"Like a Virgin" is the first single by American singer Madonna from the album of the same name and was released on November 6, 1984 by Sire Records. It also appears in a truncated and slightly remixed form on the 1990 greatest hits compilation The Immaculate Collection and the 2009 greatest hits compilation Celebration. Since its 1984 release, it has gone on to become one of Madonna's signature songs. "Like a Virgin" was honored by Rolling Stone and MTV in 2000 as the #4 song on their list of the 100 Greatest Pop Songs.

Album Notes
Like a Virgin is the second studio album by American singer-songwriter Madonna, released on November 12, 1984 by Sire Records. The album was re-released in 1985 world wide (not in North America) with the bonus track "Into the Groove". In 2001, Warner Bros. released a remastered version with two bonus remix tracks (this version did not include "Into the Groove"). The RIAA certified it Diamond on May 21, 1998, recognizing ten million shipments in the United States. Worldwide, the album has sold over 21 million copies.
Nile Rodgers was chosen by Madonna as the producer of the album, mostly because of his work with David Bowie on his album Let's Dance[citation needed]. Like a Virgin built on the sound and image that Madonna had created in her debut album, which was very much disco and pop-oriented. Madonna dedicated the album to "all the virgins of the world."
The album's title track was her first number one hit song. Madonna debuted the song at the first annual MTV Video Music Awards. In this performance, Madonna rolled on the floor in a white wedding dress, exposing her panties and garter belt, all the while wearing a belt that read "Boy Toy". The album's second single, "Material Girl", earned Madonna the nickname of "material girl" from the media. The song "Into the Groove" was included in the 1985 film Desperately Seeking Susan and due to its success - it hit #1 in various countries, becoming her first number one in the UK - was included in the re-release of the album.
The album was a huge success on the charts, but the critics were not really convinced of Madonna's skills and described her as an "unimportant annoying one-hit-wonder" with a voice similar to "Minnie Mouse on helium." The Grammy Award show largely snubbed Like a Virgin; although she did receive a few nominations at the 1985 MTV Video Music Awards, she lost each of them.
The sleeve image was by Steven Meisel who would become a regular collaborator. In 1992 he shot all the photographs for the infamous book Sex.
She later performed "Material Girl", "Angel", "Like a Virgin", "Over and Over", "Into the Groove" and "Dress You Up" on her 1985 Virgin Tour.
The version of "Stay" that appears on the album borrows its lyrics from two early Madonna demo tracks titled "Stay" and "Don't You Know". An early version of "Stay" appeared on the demo cassette that landed Madonna her record deal with Sire/Warner in 1982.
The title song was parodied by "Weird Al" Yankovic in the song "Like a Surgeon" and was also covered by former Dead Boys frontman Stiv Bators with his later band, Lords Of The New Church.
Like a Virgin has been certified Diamond for selling more than 10 million copies in the U.S. alone, and has sold over 21 million copies worldwide. The album entered the Billboard 200 at #3 in December 1984 and stayed within the top ten before hitting #1 in February 1985, where it stayed for 3 weeks.

Track Listing
=====================================
1. Material Girl
2. Angel

3. Like A Virgin
4. Over And Over
5. Love Don't Live Here Anymore
6. Dress You Up
7. Shoo-Bee-Doo
8. Pretender
9. Stay
10. Like A Virgin (Extended Dance Remix)
11. Material Girl (Extended Dance Remix)
Total Time: 00:50:54
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18.12.09

Men Without Hats - Greatest Hats

Men Without Hats - Greatest Hats
Release: 1996 | Label: Aquarius Records| Number: Q2-00579
Genre: Synth Pop | Mono/Stereo: 2 Channel
EAC Rip | Included: EAC Log + AccurateRip Log + CUE + Flac + Covers
RAR files | 363 MB |  RS.com, Letitbit.net, Vip-File

Album Notes 

Greatest Hats is the second compilation album released by Canadian synth-pop group Men Without Hats, released in 1996.

Review by Heidi MacDonald 

Men Without Hat's bouncy classic "The Safety Dance" remains one of the defining moments of the early 1980s with its irresistibly catchy bass-line and Ivan Doroschuk's bold "We can go when we want to, the night is young and so am I." Beyond their biggest hit, these Canadian synth-popsters also put out a couple of exceedingly chipper albums. Songs like "Pop Goes the World" and "I Got the Message" overflow with giddy innocence and cascades of cheesy Casio riffs. They even manage to perk up a Roxy Music cover ("Editions of You"). While the aspirations to meaning, and the faux-urgency, don't hold up, this disk is guaranteed to bring smiles at any 1980s-style dance party.

Biography 

The new wave synth pop collective Men Without Hats were formed in 1980 by brothers Ivan and Stefan Doroschuk. Ivan was the leader of the group, writing the majority of the songs and providing the lead vocals; Stefan was the guitarist; and other members changed frequently throughout the course of the group's career. They independently released their debut EP, Folk of the '80s, in 1980; it was reissued the following year by Stiff in Britain. During 1982, the band consisted of Ivan, Stefan, another brother Colin Doroschuk (keyboards), along with drummer Allan McCarthy; this is the lineup that recorded Men Without Hats' 1982 debut album, Rhythm of Youth. Taken from their debut, the single "The Safety Dance" became a major hit, peaking on the American charts at number three in 1983. Driven by an insistent three-chord synthesizer riff, the song was one of the biggest synth pop hits of the new wave era.
The group wasn't able to exploit its success, however. Folk of the '80s (Part III) stalled at number 127 on the charts in America and made even less of an impact in other parts of the world. Thanks to the minor-hit title track, 1987's Pop Goes the World was a bigger success, yet it didn't recapture the audience their first album had gained. Released two years later, The Adventures of Women & Men Without Hate in the 21st Century failed to chart, as did its follow-up, 1991's Sideways. The two albums' lack of success effectively put an end to Men Without Hats' career. ~ Stephen Thomas Erlewine, All Music Guide


Track Listing
==========================================
01 - The Safety Dance
02 - Living In China
03 - Antarctica
04 - I Got The Message
05 - I Like
06 - Where Do The Boys Go?
07 - Freeways (Euromix)
08 - Pop Goes The World
09 - On Tuesday
10 - Sideways
11 - Editions Of You
12 - The Safety Dance (Extended Version)
13 - Where Do The Boys Go? (Extended Version)
Total Time: 00:55:39
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Thanks to Virginia Plain

5.12.09

Simple Minds - Glittering Prize (81-92)

Simple Minds - Glittering Prize (81-92)
Release: October 8, 1992 | Label: Virgin Records | Number: SMTVD 1
EAC Rip | Included: EAC Log + AccurateRip Log + CUE + Flac + Covers
Genre: Rock | Mono/Stereo: 2 Channel | RAR 3% Rec. | 449 MB | RS.com
Album Notes
At first glance this seems a particularly silly compilation, not least of all because "Glittering Prize" isn't actually on it, and neither are any of Simple Minds' releases from 1981 or 1992. So forget the misleading title. And forget, too, that a lot of your other favorite songs aren't here. How could they be? This compilation only contains a measly 12 tracks. Back in 1992, Virgin released a 16-track compilation entitled Glittering Prize 81/92; it was a U.K. chart-topper, and permutations of this set, with slightly altered track listings, have appeared across the globe ever since. This truncated version, however, might well be the best of the batch.
Apparently put together by a serious fan and experienced DJ, not only does it brilliantly showcase the band's oeuvre, it also beautifully captures the feel of their music and the core of their sound. But what makes this set stand apart is the sequencing, which is phenomenal. "Alive and Kicking" is an inspired choice to open, as it highlights both the band's dreamy, yearning quality and their dramatic flair. Six years separate that song from 1991's "See the Light," but the pair are wed by U2, whose ubiquitous chiming sound provided inspiration for both.
Simple Minds own epic qualities were in a more understated vein, as "Don't You (Forget About Me)" beautifully illustrates. Kicking it up a notch comes "Sanctify Yourself," followed by the emotive "Belfast Child," its Irish air echoed on the celebratory "Stand by Love," whose own driving rhythm offers a perfect link into "Up on the Catwalk." "Let There Be Love" here is a bit of a misstep, the set's only one, and probably should have followed "Belfast," but it does mold nicely with "All the Things She Said," which itself melts perfectly into "Someone Somewhere (In Summertime)." If this was recorded live, "Waterfront" would be the encore; in a club set, this is the point where the crowd mass rush the dancefloor with excitement. As a greatest-hits album, this Glittering Prize is not one, but as a one-disc set that captures the band's soul, it can't be beat. ---Allmusic.com

Track Listing
==========================================
01. Waterfront
02. Don't You (Forget About Me)
03. Alive And Kicking
04. Sanctify Yourself
05. Love Song
06. Someone, Somewhere In Summertime
07. See The Lights
08. Belfast Child
09. The American
10. All The Things She Said
11. Promised You A Miracle
12. Ghostdancing
13. Speed Your Love To Me
14. Glittering Prize
15. Let There Be Love
16. Mandela Day
Total Time: 01:12:55

Producer: Jimmy Iovine, Bob Clearmountain, Trevor Horn, Steve Lillywhite, Peter Walsh, Steve Lipson

1.12.09

Fleetwood Mac - Tango In The Night

Fleetwood Mac - Tango In The Night
Release: 13 April 1987 | Label: Warner Bros. Records | Number: 9254712
Genre: Rock | Mono/Stereo
: 2Channel
EAC Rip | Included: EAC Log + AccurateRip Log + CUE + Flac + Covers
RAR 3% Rec. | 287 MB | RS.com
Album Notes
Tango in the Night is an album by the British-American band Fleetwood Mac, released in 1987. It spawned the singles "Big Love", "Everywhere", "Little Lies", "Seven Wonders", "Family Man" and "Isn't It Midnight".
The album was a top 10 hit in the US, and it reached no.1 three times in the UK between 1987 and 1988, eventually selling over 2.5 million copies there. This was the final studio album released by the line-up of Lindsey Buckingham, Stevie Nicks, Christine McVie, John McVie, and Mick Fleetwood, before Buckingham's departure from the band in the summer of 1987 for a 10-year hiatus. This line-up did however reconvene in 1997 for a tour and the live album The Dance.
Recording actually began in the winter of 1985, and, as would often be the case thereafter, started out as a collection of Buckingham's songs intended for solo release. Having involved Fleetwood and both McVies in his project, it was agreed in 1986 to broaden the sessions to a Fleetwood Mac album - the only problem being that the fifth member, Stevie Nicks, had completed a lengthy tour for her 1985 album Rock a Little, only to check into the Betty Ford Clinic in the autumn of 1986 for cocaine addiction.

As Mick Fleetwood recalls in his autobiography, the band were in their 'worst shape' during the 'Tango' sessions - Fleetwood himself was entering the worst excesses of his own cocaine and alcohol addiction, John and Christine McVie were both experiencing their own problems with alcohol, and, having completed a successful treatment for cocaine addiction (expicitly referred to in the track "Welcome to the Room...Sara"), Nicks was now beginning an eight year dependancy on the tranquilliser Klonopin, ironically prescribed to ward off any risk of a relapse back into cocaine abuse, but which rendered her 'distant and spaced out'. As a result, Nicks would put in relatively little studio time in the 'Tango' sessions, with most of her input being recorded in early 1987. In order to give the album more of the 'Fleetwood Mac' sound, she provided extra backing vocals to several tracks at the eleventh hour.
With a massive amount of pressure being placed on Buckingham to keep the project focused and moving forward, things came to a head shortly after the album's release when the guitarist announced his departure from the band on the eve of the 'Tango Tour' in 1987, amidst now infamous violent arguments that broke out between himself and Nicks at Christine McVie's house. Following Buckingham's departure, two musicians were brought in to replace him - Rick Vito and Billy Burnette - who proceeded to complete all of the 'Tango Tour' in 1987-1988 with the band.
Aspects of the troubled 'Tango' episode are frankly revealed in interviews with all members of Fleetwood Mac, old and new, in two BBC documentaries: Fleetwood Mac at 21, first aired in the UK in 1988, and in Rock Family Trees, which was produced in 1996.
The cover art for the album was a painting by Australian artist Brett-Livingstone Strong which was hanging in Buckingham's home, a homage to the 19th Century French painter Henri Rousseau, emulating his colourful jungle theme works such as The Snake Charmer and The Repast of the Lion.

Review by Louis

After the uneventful "Mirage", released in 1982, Fleetwood Mac went on a long hiatus. Stevie Nicks kept on enjoying tremendous solo success, while Christine McVie and Lindsey Buckingham did just fine on their own solo albums. Mick Fleetwood and John McVie, however, both went off the deep end; Fleetwood encountered financial difficulties, while John McVie almost died from alcohol abuse. In other words, some of the band members didn't seem to need Fleetwood Mac that much, but some others did. "Tango in the Night" was born from the tension of trying to answer the eternal question : was it worth all the heartache and trauma to keep Fleetwood Mac alive ?
The answer came in the form of a brilliant album which proved that all personal differences asides, these five people were meant to make music together. The album was a decidedly 80's sonic adventure - which I mean in a good way - and the production featured Fleetwood Mac at its most polished and gorgeous. It's obivous that Lindsey Buckingham gave the album its edge, and not just because of his guitar playing and top production skills : "Caroline" and the title track were particularly impressive, and the first single ("Big Love") was an instantly distinctive diversion from the mid-80's radio diet of Bon Jovi and Europe. Yet it's Christine McVie who unexpectedly turned out to be the album's strongest card, with beautiful vocal performances, strong keyboard arrangements, and most of all, great songs : "Little Lies" is one of the catchiest, most elegant pop songs of the 80's, while "Everywhere" was simply a gorgeous song that featured the Mac's trademark vocal harmonies as if it was still 1977. Her other songs were the hard-rocking, impressive "Isn't it midnight" - not your typical Christine McVie song at all, yet it became a favourite in their 1987-88 tour - and the sublime "Mystified", a longing ballad where Lindsey's production skills were at their best. There were even a couple of songwriting collaborations between McVie and Buckingham, most notably the album's ultra-melodic closer "You and I (part 2)". Those lucky enough to put their hands on "You and I (part 1)", not available on the album, discovered that it was just as brilliant, and should have been on the album too.

As for Stevie Nicks, her songs from this album have often been harshly criticized. All she got was three songs, and none of them are well-remembered today. For sure, there wasn't a "Landslide" or a "Gold Dust Woman" in the lot; however, it doesn't mean that they don't have any artistic merit - on the contrary. "Seven Wonders", the catchy second single, was a cool midtempo rocker where Stevie's voice was well complimented by the band's harmonies. "Welcome to the room... Sara" had to be understood in the context of her stint in rehab, and I always felt it was a highlight of the album. As for the touching "When I See You Again", Stevie wrote about some universal feelings of confusion, longing, and fear, best expressed through the line "If she sees him again / Will your very best friend / Have been replaced by some other ?". Her voice on that song was expressive, and it embodied the whole ambivalence of the song.

All in all, the only minor moment of the album is "Family Man", sounding like an average pop-dance song and featuring some shaky vocal arrangements that bubbled away in the bridge. The album "Tango in the Night" is a superbly produced album that proved Fleetwood Mac was as contemporary as anybody; it featured gorgeous arrangements, first-rate material, and it did open up the ears of a whole new generation of fans - including this writer, who discovered Fleetwood Mac's music with this album. The fact that it was the last full studio album recorded by these five people, only gives it the additional poignancy that comes with knowing that it was sort of their swan song. I consider it an essential in Fleetwood Mac's long, rich history of rock and roll legacy.


Track Listing:
==========================================
01. Big Love
02. Seven Wonders
03. Everywhere
04. Caroline
05. Tango In The Night
06. Mystified
07. Little Lies
08. Family Man
09. Welcome To The Room...Sara
10. Isn't It Midnight
11. When I See You Again
12. You And I, Part II
Total Time: 00:44:36

Credits
Fleetwood Mac
* Stevie Nicks – vocals
* Lindsey Buckingham – guitar, vocals, percussion and drum overdubs
* Christine McVie – keyboards, synthesizer, vocals
* John McVie – bass guitar
* Mick Fleetwood – drums, percussion
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Bad Boys Blue - Heartbeat

 Bad Boys Blue - Heartbeat
Release: 1986 | Label: Ariola / Coconut Records | Number: 258 017
Genre:
SynthPop | Mono/Stereo: 2 Channel
EAC Rip | Included: EAC Log + AccurateRip Log + CUE + Flac + Covers

RAR 3% Rec. | 304 MB | RS.com
History
Bad Boys Blue was formed in the summer of 1984 by German producer Tony Hendrik and his lyricist wife Karin van Haaren. The original trio was composed of British Trevor "Supa T" Taylor born in Birmingham, England; the original lead vocalist, British John McInerney; the lead singer since 1987, and American Andrew Thomas. The debut single L.O.V.E. In My Car failed to make an impression in the pop charts but the follow-up You're A Woman was a success, reaching the top 10 in many European countries.
The group became massively popular in Eastern Europe and South Africa, with the band performing to sell-out crowds in Russia and the Ukraine. In contrast, the group never charted in the UK, and their only charting USA singles were Save Your Love (1993) and Luv 4 U (1994) which became successful chart hits. Those singles were from two of their albums that were released Stateside. Those albums are Bad Boys Blue (1993) and To Blue Horizons (1994).
The group has experienced numerous line up changes. In 1988 Trevor Taylor left the group a year after being gradually demoted from his role of the lead singer. He was asked to rejoin the group the following year just for recording sessions of Hungry for Love single that was to be featured on the group's first compilation album Bad Boys Best. Trevor Taylor's departure permanently secured John McInerney's position as the band's new lead vocalist. Trevor Taylor was replaced by Trevor Bannister (born 1965.08.05 Grimsby, England), whose function in the group was mainly to perform Trevor Taylor's hits on live gigs. It is during Bannister's tenure with the band that Bad Boys Blue began taking numerous tours to Eastern Europe and gained much popularity there. Trevor Bannister left in 1993 and the remaining two members performed as a duo. During its entire South African tour, the duo was briefly joined by Owen Standing, who left the group shortly after, and therefore was not considered to be a permanent band member. Multi-talented Irmo Russel (born 1956.03.15 Aruba, Caribbean sea) joined the group in 1995, who in addition to stepping into Bannister's shoes was instrumental in revitalizing the group's creative potential, by becoming a composer, a video director, and occasionally assuming the role of lead singer on some of the tracks. At the end of 1999 Kevin McCoy (stage name JoJo Max) replaced Irmo Russel by joining Bad Boys Blue full-time after being the group's rapper since 1998, but left in early 2003 leaving Bad Boys Blue as a duo again. However, in 2005, Kevin McCoy rejoined Andrew Thomas' Bad Boys Blue line-up.
In 2005 McInerney and Thomas split under less than amicable circumstances. Andrew Thomas went on to form an all-American version of Bad Boys Blue with a former member Kevin McCoy and the new lead singer Herbert McCoy (no relation), and they were said to be working on a new release, with Kevin McCoy being the trio's producer. Andrew Thomas' formation called itself as "The Real Bad Boys Blue". Their shows were based on the full playback including original music produced by original producers, lead vocals by John McInerney and backing vocals by studio session singers.
John McInerney kept performing as Bad Boys Blue, at first he performed as solo with a live group and backing singers but in the following year he was joined by Carlos Ferreira (born April 11, 1969 in Mozambique), and this, presently UK-based, duo set out to work on a new album, with the French producers MS Project.
Trevor Taylor - the original lead singer of Bad Boys Blue - died of a heart attack in his home in Cologne on January 19 of 2008 at the age of 50.
Bad Boys Blue featuring John McInerney, in May 2008, released a brand new album called "Heart & Soul" with 13 new original songs. The album was supported by the release of two maxi-singles: "Still in Love" and "Queen of my Dreams". In May 2009 this formation resumed cooperation with its original label, Coconut Music, in addition to working with its current production team.
Bad Boys Blue featuring Andrew Thomas, in June 2008, experienced significant changes in personnel. This formation was essentially split in two when Herbert McCoy left the group to continue performing solo, but he does it under his own name and he uses own versions of some BBB songs. At the same time, Kevin McCoy became the new lead singer of the remaining duo, and a new member, Jeremy Cummins, was added to this group's line-up. This version of the group completed recording of several brand new tracks, all penned and sung by Kevin McCoy.
On June 19 2009 Coconut Music/Sony Music released a special remix album titled "Rarities Remixed". The album contained modern remixes of some hit singles and album tracks.
On July 21 2009 Andrew Thomas died in Cologne at the age of 63. John McInerney is now the only member alive from the original line-up of Bad Boys Blue.
"25" the double rmx album of Bad Boys Blue is scheduled for release by Modern Romantics Productions and Coconut Music in November 2009. It is being produced by Johann Perrier who also produced "Heart and Soul" with John McInerney in 2008.

Track Listing
==========================================
01 - I Wanna Hear Your Heartbeat (Sunday Girl)
02 - Mon Amie
03 - One Night In Heaven
04 - Baby I Love You
05 - Kisses & Tears (My One And Only)
06 - Rainy Friday
07 - Lady Blue
08 - Love Really Hurts Without You
09 - Blue Moon
10 - Dance The Night Away
Total Time: 00:44:19

Credits
Arranged By - J. Fritz* , T. Hendrik*
Backing Vocals [Additional] - A. Martin* , G. Lammers* , K. Gebauer* , T. Hendrik* , W. Remling*
Drum Programming - Tony Hendrik
Guitar - John Parsons
Keyboards - Gunter Lammers , Jurgen Fritz
Photography - Esser & Strauβ , Herman Schulte
Producer - Tony Hendrik & Karin Hartmann
Vocals - Bad Boys Blue
Vocals [Credited To] - Andrew Thomas (5) , John McInerney , Trevor Taylor
Written-By - T. Hendrik & K. van Haaren* (tracks: 1, 2, 5 to 7, 9, 10)

Notes
Recorded and mixed at Studio Ruβmann, Hennef/Germany
(P) 1986 Ariola Eurodisc GmbH
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