15.10.10

Midge Ure & Ultravox - The Very Best Of

Midge Ure & Ultravox - The Very Best Of
EAC Rip | Included: EAC Log + CUE + Flac + Covers | Size: 553 MB | RAR files
Release Date: 2001 | Label: EMI | Number: 7243 5 35811 2 1
Genre: New Wave, SynthPop | Mono/Stereo: 2 Channel | RS.com & Letitbit.net
Biography:
James "Midge" Ure, OBE (born 10 October 1953) is a Scottish guitarist, singer, keyboard player, and songwriter. He enjoyed particular success in the 1970s and 1980s in bands including Slik, Thin Lizzy, The Rich Kids, Visage, and most notably as frontman of Ultravox. Ure co-wrote and produced the charity single "Do They Know It's Christmas?" and co-organised Band Aid, Live Aid and Live 8 with Bob Geldof. He twice received an Ivor Novello Award with Geldof for co-writing "Do They Know It's Christmas?" Ure acts as trustee for the charity, and serves as ambassador for Save The Children. His stage name, Midge, is a phonetic reversal of Jim, the diminutive form of his real name.

Born to a working-class family in Cambuslang, Lanarkshire, Scotland, he attended Rutherglen Academy, in Glasgow, until he was 15 years old. After leaving school, Ure began to work as engineer and playing music in a Glasgow band called Stumble (c. 1969 - c. 1971), that included a girl singing duet Christine, Agnes, and on lead guitar John McMenemy, Alan Wright on harmonica Fraser Spiers on bass Kenny Ireland on drums Alec Baird on vocals Gordon Appacellie.

Ure joined Salvation as a guitarist in 1972. The band had been formed in Glasgow in June 1970 by the brothers Kevin (vocals) and Jim McGinlay  (bass guitar). Kevin McGinlay decided to turn Ure's name backwards to "Midge" to avoid any confusion caused by two members of the band having the same first name. Ure has since presented himself in the music scene as Midge Ure. The band performed covers as house band in the Glasgow discotheque Clouds, the venue for major bands playing on tour in the city. The band also comprised Billy McIsaac on keyboards and Kenny Hyslop on drums.

In April 1974, Kevin McGinlay left to pursue a solo career, so Ure assumed vocals in addition to his guitar duties. In November 1974 the band changed their name to Slik, with Bay City Rollers writers Bill Martin and Phil Coulter providing songs. In 1975 Ure turned down an offer to be the lead singer of the Sex Pistols, stating that he felt at the time that McLaren had "his priorities completely wrong!", a position he later reversed.

Although Slik were rising in popularity in early 1976, achieving a number one single in February with "Forever And Ever", the band were soon to be out of step with the rising punk rock scene. In early 1977 Jim McGinlay decided to quit the band, being replaced by Russell Webb.

Slik terminated their contract with Martin and Coulter, realising their boy-band image was hindering their chances of success. They changed their name to PVC2 and adopted a more punkish style. Ure's only release with the band under this name was the "Put You In The Picture" single.

By October 1977 Ure had left PVC2 to join former Sex Pistol Glen Matlock in The Rich Kids. Ure moved to London and soon found himself immersed in a scene he had previously only read about in the pages of the NME. Musical tensions within the band led to Ure's departure. Having acquired a synthesiser, Ure, alongside band-mate Rusty Egan, wanted to integrate the new instrument into the band's sound. With Matlock and Steve New preferring to remain with the traditional guitars and drums approach, the band split. The Rich Kids were renowned for their high-octane energetic live shows, including a seminal show at London College of printing. In January 2010, The Rich Kids reformed for one night only, for a benefit concert for Steve New  who was fighting terminal cancer (and died on 24 May 2010). Although it had been over 30 years since they played together, the press reports praised the gig, with energetic performances of "Ghosts of Princes In Towers, and "Hung on You". The Rich Kids were joined on stage by Mick Jones and Gary Kemp. Ure also played an acoustic set of Ultravox and Visage songs.

In July 1979 Ure replaced Gary Moore, co-writing "Get Out Of Here" with Phil Lynott for the album Black Rose. He also contributed guitar parts to "Things Ain’t Working Out" and "Dublin" for the 1979 Thin Lizzy compilation The Continuing Saga of the Ageing Orphans. The band then embarked upon a tour of America and Japan. In 1980, during the second part of the tour he switched to keyboards, replaced by Snowy White  as guitarist. At the end of the tour Ure decided to leave the band, although he continued to collaborate with Lynott, providing the chorus to "Chinatown" and co-writing Lynott's biggest solo hit, "Yellow Pearl". Ure felt his energies were better committed to another group: Ultravox.

1979 had seen Ure and Billy Currie form a close bond playing together in Visage. The pair decided to resurrect Currie's former group, the synthpop band Ultravox. The group had been presumed defunct since guitarist Robin Simon quit and lead singer John Foxx  had left to pursue a solo career. In April Ure joined the band as singer and guitarist to complete the "classic" Ultravox lineup of Currie (keyboards, violin), Chris Cross (bass) and Warren Cann  (drums). Although Ure had spent the latter half of 1979 on tour with Thin Lizzy, Ultravox found time late in the year to tour in the USA. During this time the band wrote a number of songs which were included on their first album with Ure.

The album, Vienna, was recorded in 1980. Although it was the band's fourth album in all, it was their first album to actually chart and was only a minor success upon first release. However, when the title track of the album "Vienna" was released as a single in early 1981, it became a huge hit and spent four weeks at #2 in the UK singles chart and was the 5th highest selling single in the UK that year. The album itself re-entered the album chart and peaked at #3. Inspired by the 1949 film The Third Man, the promo video for "Vienna" was directed by Russell Mulcahy, utilising cinematic techniques and became quite influential. In interview, Ure has recalled the way "[music] video changed after that. All these things that became video cliches – cropping the top and bottom off the screen, shooting on film as opposed to videotape, making it look like a movie ... we were quite a groundbreaking act for a while." The same year that Ultravox released the Vienna album, Visage also released their debut album which made the UK Top 20 and featured the hit single "Fade to Grey" (co-written by Ure and Currie with Chris Payne), also influential in the direction of the New Romantic electropop music scene.

In 1981, Ultravox recorded their second album with Ure as frontman, Rage in Eden, which was also a top 5 hit in the UK. After its release, Ure and Currie reconvened with Visage to record the band's second album, The Anvil. Released in early 1982, the album was a Top 10 hit, but Ure left the band soon after its release, citing creative differences with frontman Steve Strange. The same year saw Ultravox record and release their third album with Ure, Quartet, with production by Beatles' producer George Martin. The album became their third Top 10 hit and featured four Top 20 singles. This period also saw Ure work as a producer for other artists, amongst them Steve Harley, The Skids and Strasse, and in 1982 he also released his first solo single, a cover of the 1968 Tom Rush song "No Regrets" (based on the 1975 hit cover version by The Walker Brothers), which made the UK Top 10.

After the live album Monument in 1983, Ultravox released their fourth studio album with Ure, Lament, in 1984. The album was another Top 10 success and contained the Top 3 hit "Dancing with Tears in My Eyes". The band released their first ever "greatest hits" album at the end of the year, featuring all of the singles from 1980 onwards. The album peaked at no.2 in the UK and was later certified triple platinum.

After Ure's successful debut solo album in 1985, the fifth and final Ultravox album with Ure, U-Vox, was released in 1986. Although another Top 10 hit, the album (and singles) fared less well than their previous releases.

In 1984, Ure co-wrote the Band Aid hit, "Do They Know It's Christmas?" with Bob Geldof. Ure was rehearsing with Ultravox for an episode of the Channel 4 music show The Tube when host Paula Yates handed him the phone. It was her then husband, Geldof, who proceeded, recalls Ure, "to rant on about the Michael Buerk  BBC news report on the Ethiopian famine." Geldof provided the initial lyrics, with Ure working the musical theme on a small keyboard in his kitchen. The second half was composed by Ure, with the bridging chorus only assembled in the studio when the artists had gathered. Ure has described the song as one of the worst he has ever written, commenting that "the momentum the artists gave it in the recording studio is what made it".

At the studio recording, Ure also took on the production duties for the song. Although Trevor Horn had been approached to fulfill this role, he needed more time to fulfill his obligations than was available. Ure stepped into the breach, with Horn providing his studio, remixing the track and producing the 12" version. He and Geldof jointly set up the Band Aid Trust, and he remains active as a Band Aid Trustee to this day. He also co-organised the Live Aid concert of 1985 along with Geldof and Harvey Goldsmith. Geldof and Ure have been honoured with two Ivor Novello awards for writing the song.

After working on the Band Aid project and during a hiatus from Ultravox, Ure pursued a solo career in 1985. The single, "If I Was", was a UK number one single, and his debut album, The Gift, reached #2. After returning to Ultravox for what would be their final album together, the band effectively disbanded in 1987 and Ure concentrated solely on his solo career but with less success. The albums Answers to Nothing (1988) and Pure  (1991) failed to make the UK top 20. A career retrospective, "If I Was", was released in 1993, while in 1998 the single "Breathe" was a hit in Europe, boosted by its use in a Swatch TV ad campaign. The video was directed by Dani Jacobs.

In 2005, Ure organised Live 8 concerts with Bob Geldof with the aim of pressing G8 leaders into taking action to end world poverty. Later that year he was made an Officer of the Order of the British Empire (OBE) for services to music and charity. He has also received four honorary degrees in recent years. He was made an Honorary Doctor of Arts in 2005 by the University of Abertay Dundee for his artistic and charity work over the past 30 years. He was made a Doctor of Music by University of Edinburgh in 2006. In 2007, he received from the University of Paisley his third honorary doctorate, for his contribution to Scottish culture and charity work. In 2008, Glasgow Caledonian University awarded him his fourth honorary doctorate, for his musical and humanitarian achievements.

Ure is an Ambassador for Save the Children and in recent years he has gone back to Ethiopia and visited Sierra Leone in that capacity.

Ure continues to perform his own songs, along with popular Ultravox songs, in concerts both solo, acoustic and with a band. Ultravox briefly reformed in 2009 and undertook a successful tour (as well as appearing at the Isle of Wight 2009 Festival) to celebrate, in their own words, the "anniversary of their classic line-up". There are, however, no plans for new recordings as Ure stated in a BBC interview in April 2009, "we are not trying to get our youth back, nor the hair that's fallen off already". Further concerts in the UK and Europe were scheduled in 2010.

Track Listing:
==========================================
01. Vienna
02. No Regrets
03. If I Was
04. Reap The Wild Wind
05. The Voice
06. All Stood Still
07. Sleepwalk
08. The Thin Wall
09. We Came To Dance
10. Visions Of Blue
11. Hymn
12. Lament
13. Call Of The Wild
14. Breathe
15. Beneath A Spielberg Sky
16. You Move Me
17. One Small Day
18. Dancing With Tears In My Eyes
19. Love's Great Adventure
Total Time: 01:19:05
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11.10.10

Gazebo - Telephone Mama

Gazebo - Telephone Mama
EAC Rip | Included: EAC Log + CUE + Flac + Covers | Size: 215 MB | RAR files
Release Date: 1984 | Label: Baby Records | Number: 610 236-222
Genre: ItaloDisco | Mono/Stereo: 2 Channel | RS.com & Letitbit.net
 
Biography:
Gazebo whose real name is Paul Mazzolini was born in Beyrouth on February 18th 1960. He was brought up travelling around the world with his parents, gathering from different cultures. His father, Francesco, was an old fashion italian diplomatic and taught Paul five of the eight languages he knew. His mother, Sonia, was a singer and gave him her inner talent for music. Paul settled down in Italy in 1975, got his graduation three years later and went off to London where he put up various bands and decided to make music for a living.
Back in Rome in 1981 he meets Paolo Micioni, a DJ who decides to produce him. His first single is "Masterpiece" and the 12" version becomes rapidly a big hit in the European and Asian dance scenes. In 1983 Paul signes with Baby Records and releases his first album called "Gazebo". Included is a song that is going to be a smash hit wordwide selling more than ten million singles: the song is called "I like Chopin" it reaches the first position in the charts of many countries including: Germany, France, Italy, Switzerland, Austria, Denmark, Finland, Spain, Belgium,Canada, Japan, Portugal, Hong-Kong, Korea, Singapour, Turkey and tops ten in many other countries including U.K. Wins the "1983 Top European Chart Act" award by prestigious British magazine "Music Week" . The second album "Telephone Mama" is released in 1984 and though the style of the songs is drammatically different from the first album it is a best seller in most of the territories were it is released. Wins "La Vela d'Oro" as best selling artist in Italy.
1985 is quite an unlucky year as Paul has to join the army ....
He puts up Lunatic S.r.l , a production company and a recording complex where he will work on all his new projects. The same year he releases "Univision" the first album of the new era completely owned by Lunatic. 
1988 "Rainbow Tales" the first album recorded at the Lunatic complex is also the first step in Paul's new musical direction, a link towards his musical origins in the progressive pop scene of the seventies co-produced by Denis Haines of "Gary Numan Band" fame.
1989 "Sweet Life" is the first album entirely written, produced and engineered by Paul himself, this album includes a special version of a song Paul had co-wrote for Ryan Paris and that became at the time a smash hit worldwide: "Dolce Vita"
1990 Birth of "Cresus Enterprises S.n.c" . The company's goals is to integrate Lunatic by developing the publishing and the distribution of the products in Italy. The label "Lunatic Records" gets officially distributed by BMG Ariola.
1991 He produces "First" by "The Tycoons". The same year he produces "Summit" by Dino Kappa
In 1992 Lunatic Records releases "Scenes from the news Broadcast". Which is up to now his last official album. The same year he produces "A Choir in Heaven" by Kammerton. First production with Ardit Gjebrea, the song "Jon" wins the Tirana Song Festival in a crucial political moment for Albania. The song becomes an anthem for the suffering Albanians bound to leave their county in search of basics for survivor.
1994 "Portrait" - a compilation album with all his hits.
1996 Produces "Projekt Jon" one of his favourite albums ever.
1997 From the merging of Lunatic S.r.l and Cresus Enterprises S.n.c birth of Softworks Snc, a new company with a big catalog and a great structure. The same year he produces "Viewpoint" a compilation album with songs which have never been released or created as singles but have a special meaning in his "viewpoint".
1998 In co operation with Sandro Nasonte and his "Remix" distribution company he brings up a certain number of labels specialised in the dance, techno, underground and rave areas which will be seminal for the Roman dance scene. Labels like "Mystic","Oneiric" and "Sysmo" and Djs like A.Prezioso, Lory D and Undertour.
1999 Softworks' official labels are "SWR" for the pop and rock productions, "Lunatic" for dance and "The Ark" for the world music projects.
2000 SWR releases "Portrait & Viewpoint" a double CD with all the essentials.
2004 Produces Ardit Gjebrea's solo album "Jakujam"
Of course he's been involved in numerous projects and productions during the nineties and still is working as a producer, arranger, song writer and studio manager. He is currently touring and making concerts on a regular basis around the world.
2006 Softworks makes new digital distribution agreements and will soon be online with it's catalog. Also a ... the new single "Tears For Galileo" is finally released in prospect of a brand new album.

Track Listing:
==========================================
01. Telephone Mama
02. First!
03. Snowhite Memories
04. Alphabet
05. For Anita
06. Solitaire
07. No Speed Control
08. Strategy
Total Time: 00:36:01
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6.10.10

Visage - Master Series

Visage - Master Series
EAC Rip | Included: EAC Log + CUE + Flac + Covers | Size: 484 MB | RAR files
Release Date: Sep 10, 1997 | Label: Polydor | Number: 537 904-2
Genre: New Wave | Mono/Stereo: 2 Channel | RS.com & Letibit.net

Biography:
Visage are a British New Wave band. Formed in 1978, the band became closely linked to the burgeoning New Romantic fashion movement of the early 1980s.
Founder members Steve Strange and Rusty Egan  were hosting club nights at Blitz nightclub in Great Queen Street, London at the time and were eager to find new music to play, ultimately opting to create music themselves. Strange commented about the meaning of the band's name: "The meaning of Visage, apart from being French for face, is that the Vis is for the visual side of the band... and the Age is the new age in dance music. That's how I see it."
Initially, the band was composed of Strange, Egan and Midge Ure. Ure and Egan began working with Strange during their last days with band The Rich Kids, with Strange himself being at a loose end after leaving the new wave band The Photons. The trio recorded a demo which included a cover of the Zager and Evans hit "In the Year 2525". Ultravox's multi-instrumentalist Billy Currie and the core of post-punk band Magazine – guitarist John McGeoch and keyboardist Dave Formula – joined the studio-only band later (Magazine's bassist Barry Adamson also played a minor role in the recording sessions though was not officially listed as a band member on any of Visage's record releases). Visage signed to Radar Records and released their first single, "Tar", in September 1979. The single failed to chart, but the band managed to secure a deal with a larger record company (Polydor) the following year.
December 1980 saw the release of their second single, "Fade to Grey". The single became a huge hit in early 1981, making the top ten in the UK and several other countries, and reaching no.1 in Germany and Switzerland. It was quickly followed by the release of their self-titled debut album which was also a chart success.
After further Top 40 hits with "Mind of a Toy" and the title track "Visage", Strange struggled to reunite the band's members again to record a second album because of their commitments with their respective bands (Ure and Currie with Ultravox, Formula with Magazine, and McGeoch with Siouxsie and the Banshees). However, in the autumn of 1981 all musicians (except McGeoch) went into the studio again and recorded The Anvil. The album was released in March 1982 and became Visage's first (and only) UK top ten album, producing two top twenty singles with "The Damned Don't Cry" and "Night Train". The Anvil earned a Silver disc in the UK, as did the band's first album.
Following this, Ure left the band to concentrate on his work with Ultravox, who were by now becoming even more successful than Visage were. Creative differences with Strange were also cited as reasons for his departure at the time. Visage, now without Ure and Adamson (who continued collaborating with Pete Shelley, and joined The Birthday Party) but with the addition of bassist Steve Barnacle, recorded the stand-alone single "Pleasure Boys", which was released in October 1982. Unfortunately, the single failed to prolong their string of hits and peaked just outside the UK top 40.
Although still recording, Visage then took a two year hiatus from releasing any new material due to contractual difficulties. Polydor issued a "best of" compilation in 1983; Fade to Grey - The Singles Collection which included all of the singles released to date and the previously unreleased "In The Year 2525". Limited quantities of the album were issued with a free "Pleasure Boys" 7" picture disc single, whereas the cassette version of the album featured remixes of the singles. Although the album was certified Gold in the UK for pre-release sales to stores, it only peaked at no.38 after its release in November 1983.
With their contractual problems resolved, 1984 saw the return of Visage for what would become their third and final album to date. Beat Boy was released in September 1984 but was a critical and commercial failure, peaking at #79 in the UK. Two singles from the album; "Love Glove" and "Beat Boy" also failed to make the UK top 40. By this time, Billy Currie and Dave Formula had also departed the band (though they received a "special thanks" credit on the album sleeve for their input), leaving only Strange and Egan from the original line-up along with newer musicians Steve & Gary Barnacle and Andy Barnett. A decision to make Visage a live band instead of a strictly studio-based project also failed to meet with success and the band subsequently split in 1985. Their final release was a Visage VHS video compilation of the band's renowned promotional videos and also included footage of Strange's trip to North Africa the year before. The compilation does not, however, include the original video for the "Love Glove" single which was filmed at a late-night Dockland location in London in 1984.
Following the demise of Visage, Strange then formed the short-lived band Strange Cruise. They were signed to EMI and released two singles; these being "Rebel Blue Rocker" and a cover version of Sonny and Cher's "And The Beat Goes On". Neither of these singles made the charts. The band also released one album in 1986, though this too proved unsuccessful. Visage returned to the charts once more when a Bassheads remix of "Fade to Grey" was a UK Top 40 hit in 1993.

Album Notes:
Master Series is a 1997 continental Europe-only compilation album by the synthpop band Visage. This compilation is one of the most hard-to-find Visage records and was until March 2009 the only way to find songs from the Beat Boy album on digital format (except "Love Glove", which also appeared on The Best of Visage, released in 1994).

Track Listing:
==========================================
01. Fade To Grey
02. Damned Don't Cry
03. Love Glove
04. Mind Of A Toy
05. Der Amboss
06. Questions
07. Visage
08. The Promise
09. In The Year 2525
10. The Anvil
11. Beat Boy
12. The Steps (Instrumental)
13. We Move - Remix
14. Only The Good Die Young
15. Motivation (instrumental)
16. Blocks on Blocks
Total Time: 01:13:35
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Scotch - The Maxi-Singles Collection

Scotch - The Maxi-Singles Collection
EAC Rip | Included: EAC Log + CUE + Flac + Covers | Size: 487 MB | RAR files
Release Date: Oct 2008 | Country: Russia | Label: ESonCD | Number: ESCD 200809-2
Genre: ItaloDisco | Mono/Stereo: 2 Channel | RS.com & Letitbit.net
Unofficial Release, Limited Edition

Biography:
Scotch were an Italo-disco group during the 1980s. The group was created by Manlio Cangelli (composer, keyboard and drum machine programming), then were added Vince Lancini (vocals) and Fabio Margutti (keyboards), joined by Franz Rome (keyboards, programming) for the second album Pictures Of Old Days.
The band had numerous hits, starting with the worldwide known "Penguin invasion", "Disco Band", then "Delirio Mind" and "Take Me Up". The group's 1985 single "Disco Band" was their major hit in Germany and other countries. In 1985 they released the album "Evolution".
"Mirage" was the next single. A huge hit in Sweden. Other songs were "Plus Plus" or "Money Runner".
Here's Scotch's singles chart positions from http://www.scheul.de/Charts.htm
    * Disco Band [#28 Italy, #3 Germany, #20 Sweden, #4 Switzerland, #4 Portugal]
    * Delirio Mind [#6 Germany, #1 Sweden, #19 Switzerland]
    * Take Me Up [#19 Germany; # 11 Portugal]
    * Mirage [#19 Italy, #56 Germany, #1 Sweden]
    * Money Runner [#12 Sweden]
    * Pictures' [#16 Sweden]
"Disco Band" was sampled on Scooter's 2007 hit single "Lass Uns Tanzen", and "Penguin Invasion" continues to be popular, appearing on various Italo-disco compilations and retrospectives.

Track Listing:
==========================================
01. Penguins' Invasion (Original Version '83)
02. Disco Band (Mach 2 Remix)
03. Losing In Time
04. Loving Is Easy (Frederick Ramel Rmx)
05. Born To Kill (Bonus Version)
06. Delirio Mind (Remix)
07.- Pictures (Tess Power Remix)
08. Discolation
09. Man To Man
10. Amour Pour Victoria (Russian Version)
11. Mirage (Deutch Version)
12. Delirio Mind (Power Mix 90)
13. Take Me Up (Extended Remix 90)
Total Time: 01:13:39

Credits
Keyboards, Programmed By [Programs] - Fabian Margutti*
Lead Vocals, Backing Vocals - Vincent Lancini*
Mastered By - D'Olmatin
Mixed By - Massimo Noe*
Producer - David Zambelli , Walter Verdi
Notes
Recorded at AMD Studio.
Compilation & Restoration ESonCD
Publishing 1983-1990 Beat Box Records
(P)&(C) 2008 ESonCD - Digital Mastering from Vinyl!
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