James Ingram - Forever More (Love Songs, Hits & Duets) (HDCD)
James Ingram (born February 16, 1952 in Akron, Ohio) is a Music icon,
Multi Grammy award-winner and back-to-back Oscar nominee who inspires
and touches the hearts of millions of listeners worldwide through his
abundant gifts as a singer, performer, songwriter, composer, arranger
and producer.
In early 2009 Ingram returns to his roots with the release of his first complete inspirational CD, the much-anticipated Stand (in the Light). Inspired by the plight of the Hurricane Katrina victims, Stand features new works and “Yah Mo Be There” — his legendary, Grammy award-winning 1983 collaboration with Michael McDonald — and is the natural advancement in a career grounded in faith; blessed with the influence and mentorship of some of the seminal forces in American music history including Ray Charles, Marvin Gaye, Donny Hathaway and Stevie Wonder; and shaped and molded by Quincy Jones.
From funk to soul to R&B to pop to adult contemporary to inspirational, James Ingram’s multi-faceted talents have dazzled the American music scene since the early ’80s. The Akron, Ohio, native went from playing local bars with Revelation Funk to Los Angeles, where he landed the types of gigs that most aspiring musicians only dream about: singing background vocals and playing piano for Ray Charles’ recording studio sessions; recording studio sessions and playing keyboards behind the Coasters for Dick Clark; and recording background vocals for his mentor, Marvin Gaye.
In early 2009 Ingram returns to his roots with the release of his first complete inspirational CD, the much-anticipated Stand (in the Light). Inspired by the plight of the Hurricane Katrina victims, Stand features new works and “Yah Mo Be There” — his legendary, Grammy award-winning 1983 collaboration with Michael McDonald — and is the natural advancement in a career grounded in faith; blessed with the influence and mentorship of some of the seminal forces in American music history including Ray Charles, Marvin Gaye, Donny Hathaway and Stevie Wonder; and shaped and molded by Quincy Jones.
From funk to soul to R&B to pop to adult contemporary to inspirational, James Ingram’s multi-faceted talents have dazzled the American music scene since the early ’80s. The Akron, Ohio, native went from playing local bars with Revelation Funk to Los Angeles, where he landed the types of gigs that most aspiring musicians only dream about: singing background vocals and playing piano for Ray Charles’ recording studio sessions; recording studio sessions and playing keyboards behind the Coasters for Dick Clark; and recording background vocals for his mentor, Marvin Gaye.
Then fate brought Ingram together with
Quincy Jones and to a pivotal breakthrough in his career. Up to this
point, Ingram had not yet surfaced as a solo artist, but after a chance
listen to Ingram’s demo of “Just Once” — which had been recorded for the
sum of $50 — Jones immediately recognized the man, the voice and the
music as the musical triumvirate that would both captivate listeners and
command the music industry’s attention.
Jones quickly chose Ingram to perform both “Just Once” and “One Hundred Ways” on Jones’ upcoming album, The Dude. Released in 1980, The Dude was a multi-platinum international success and resulted in three Grammy nominations for Ingram: Best New Artist, Best Pop Male Vocal, and Best R&B Vocal for “One Hundred Ways,” for which he won his first Grammy. Ingram also made Grammy history when — in his first live performance ever as a singer — he performed “Just Once” as the telecast’s opening act and became the first artist to open a Grammy ceremony with a ballad and the only artist to win a Grammy without having his own album in release. The Dude remains the most Grammy-nominated album in history and marked the first of 15 nominations Ingram has received to date (see attached award list and discography for complete information).
After this stunning debut, Ingram’s much-anticipated 1983 solo album, It’s Your Night, surpassed industry expectations. The album was the debut for the Michael McDonald collaboration “Yah Mo Be There,” (Ingram’s 2nd Grammy) which was honored with the Grammy for Best R&B Performance for a Group or Duo, and “There’s No Easy Way” was considered one of the year’s stand-out ballads. It’s Your Night sold nearly one million copies; secured an unprecedented achievement by appearing simultaneously on both The Top 20 Pop and The Top 5 R&B Charts. Ultimately, “Yah Mo Be There” became the most-played song of the year.
Jones quickly chose Ingram to perform both “Just Once” and “One Hundred Ways” on Jones’ upcoming album, The Dude. Released in 1980, The Dude was a multi-platinum international success and resulted in three Grammy nominations for Ingram: Best New Artist, Best Pop Male Vocal, and Best R&B Vocal for “One Hundred Ways,” for which he won his first Grammy. Ingram also made Grammy history when — in his first live performance ever as a singer — he performed “Just Once” as the telecast’s opening act and became the first artist to open a Grammy ceremony with a ballad and the only artist to win a Grammy without having his own album in release. The Dude remains the most Grammy-nominated album in history and marked the first of 15 nominations Ingram has received to date (see attached award list and discography for complete information).
After this stunning debut, Ingram’s much-anticipated 1983 solo album, It’s Your Night, surpassed industry expectations. The album was the debut for the Michael McDonald collaboration “Yah Mo Be There,” (Ingram’s 2nd Grammy) which was honored with the Grammy for Best R&B Performance for a Group or Duo, and “There’s No Easy Way” was considered one of the year’s stand-out ballads. It’s Your Night sold nearly one million copies; secured an unprecedented achievement by appearing simultaneously on both The Top 20 Pop and The Top 5 R&B Charts. Ultimately, “Yah Mo Be There” became the most-played song of the year.
Ingram’s talents as a songwriter and performer were tapped by some of the most celebrated artists of the era, most prominent was his “P.Y.T. (Pretty Young Thing)” for Michael Jackson’s Thriller (1982), which sold more than 50 million units,. He performed “Baby Come To Me,” with Patti Austin (1984) on her debut album, which went on to become a No. 1 Pop record. Other chart-topping, Top 10 collaborations include “The Secret Garden,” the No.1 hit with Barry White, Al B. Sure and El Debarge on Quincy Jones’ multi-platinum Back on the Block album, (1990). James, as a song writer is timeless he received Grammy recognition for his participation on the song entitled “Good Life”, in the “Best Rap Song” category, performed by Kanye West (featuring T-Pain) in 2007.
Hollywood soon called for Ingram’s wide-ranging songwriting and vocal abilities and several hit singles for blockbuster motion and animated pictures followed. “How Do You Keep The Music Playing” — a songwriting collaboration between Michel Legrand and Marilyn and Alan Bergman, performed by Ingram and Patti Austin — was featured in Best Friends (1982) and received a Grammy Award nomination for Best Pop Duo/Group as well as an Academy Award nomination in the Original Song category.
Other important contributions to feature films include “Don’t Make Me No Never Mind,” co-written with Quincy Jones and Roy Gaines for Steven Spielberg’s The Color Purple (1985), and Ingram’s duet with Anita Baker, “When You Love Someone,” by Bryan Adams, for Forget Paris (1995). “Somewhere Out There,” performed by Ingram and Linda Ronstadt for Steven Spielberg’s animated American Tail (1986) also received a Grammy for Song of the Year. Then 1993 and 1994 brought Ingram back-to-back Academy Award nominations. His duets with Dolly Parton, “The Day I Fall in Love,” featured in Beethoven 2 (1993), and Anita Baker, “Look What Love Has Done,” the theme song from Junior (1994), were songwriting collaborations with Carole Bayer Sager and recognized in Oscar’s Original Song category.
The ’90s were a fruitful decade for Ingram, who began it by co-producing “I Don’t Have the Heart” with Thom Bell — the first and only time Bell has co-produced on any project — and taking it to No. 1 in 1990. In 1999, Ingram released Forever More: The Best of James Ingram, which included some of his biggest hits as well as new material.
Worldwide acclaim has led to concert tours in the U.S. and abroad, where he continues to play before sold-out stadiums in The Philippines, Japan, Singapore, Dubai, Brunei, Indonesia and Hong Kong. Fans at home have been able to see Ingram perform live everywhere from Compton to The White House.
The blessings of success also have allowed Ingram to pursue two of his personal passions: humanitarian work and composition for live theater. In 1987, Ingram was hand-picked by Quincy Jones to perform in “We are the World,” the universal gift and legendary singing and fund-raising effort from the recording industry, which raised more than $100 million in aid for those suffering from famine in Africa. Ingram also continues to work with long-time collaborator, choreographer/producer Debbie Allen on a number of musical projects. Most recently, they partnered on Stand (In the Light) and several musical theater works including “Brothers of the Night, “The Legend” and “Alex in Wonderland.”
Faith and family are Ingram’s main sources of inspiration, driving his industry achievements; legendary collaborations with revered mentors and peers; humanitarian work; and celebrated performances at some of the most-high-profile events of our time, including The Oscars, The Grammy Awards and The Super Bowl. The son of a Deacon, Ingram is one of six children and a self-taught musician, adept at piano, guitar, bass, drums and synthesizer. Today, he makes his home in Los Angeles with Debbie, his wife of 36 years, and their six children.
Review:
James Ingram never became a superstar, but he racked up a
respectable number of adult contemporary and urban soul hits during the
’80s and early ’90s, many of which were duets. Forever More (Love Songs,
Hits & Duets) collects 14 highlights from his career, including the
hits “Just Once,” “One Hundred Ways,” “Baby, Come to Me,” “Yah Mo Be
There,” “Somewhere Out There,” and “I Don’t Have the Heart.” The
remaining songs may not be as recognizable as the singles, but they’re
in the same vein and should please the casual fans who were lured in by
the well-known hits. ~ Stephen Thomas Erlewine
| EC1005 | James Ingram – Forever More (Love Songs, Hits & Duets) |
| Label: | Private Music |
| Catalog#: | 01005 82174 2 |
| Format: | CD [HDCD (High Definition Compatible Digital)] |
| Made in: | EU |
| Released: | Apr 13, 1999 |
| Barcode: | 0 10058 21742 8 |
| Style: | Pop, Soul, R&B |
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James Ingram – Forever More (Love Songs, Hits & Duets) (HDCD)
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01. Forever More (I’ll Be The One)
02. I Believe I Can Fly
03. Baby Come To Me
04. I Believe In Those Love Songs
05. Everything Must Change
06. Yah Mo Be There
07. No Need To Say Goodbye
08. Just Once (New Version)
09. Wish You Were Here
10. One Hundred Ways (New Version)
11. My Funny Valentine
12. Somewhere Out There
13. I Don’t Have The Heart (New Version)
14. The Day I Fall In Love
Total Time: 00:59:08
Companies, etc. ▼
Record Company – Windham Hill Group
Record Company – Intering Records
Record Company – BMG Entertainment
Distributed By – BMG Distribution
Manufactured By – BMG Distribution
Copyright © – Private Music
Phonographic Copyright (p) – Private Music
Credits ▼
Engineers – Ross Palone, Bruce Swedien, Allen Sides.
Recording information – 57 Variet; Jam Shack Recording; Little Big Room Studios, Stockholm, Sweden; Rumbo Recorders; Westlake Audio, LA, CA.
Personnel – James Ingram (vocals); John Tesh (vocals, piano, synthesizer); Linda Ronstadt, Patti Austin, Quincy Jones, Anita Baker, Michael McDonald (vocals); Walter (Juni) Morrison (various instruments).
Producers – Walter (Juni) Morrison, James Ingram, Quincy Jones, John Tesh, Peter Asher.
Engineers – Ross Palone, Bruce Swedien, Allen Sides.
Recording information – 57 Variet; Jam Shack Recording; Little Big Room Studios, Stockholm, Sweden; Rumbo Recorders; Westlake Audio, LA, CA.
Personnel – James Ingram (vocals); John Tesh (vocals, piano, synthesizer); Linda Ronstadt, Patti Austin, Quincy Jones, Anita Baker, Michael McDonald (vocals); Walter (Juni) Morrison (various instruments).
Producers – Walter (Juni) Morrison, James Ingram, Quincy Jones, John Tesh, Peter Asher.
Contains Previously Released Masters.
Tracks 8, 10 & 13 are listed as New Versions.
All tracks have been digitally mastered using HDCD technology.
Made in the EU.
Barcode and Other Identifiers ▼
Barcode (Text): 0 10058 21742 8
Barcode (Scanned): 010058217428
Rights Society: BIEN/GEMA
Label Code: LC 07309
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